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Photography and Civic Engagement

Origins

1839-1900

We the People

1900-1950

Justice for All

1950-2000

Digital Democracy

2000-2022

Coming Soon

Democracy

Ongoing

Coming Soon

Instrumental Democracy

1839-2020

Origins

1839 - 1900

Instrumental
Democracy

1839 - 2020

We the People

1900 - 1950
© Will Wilson

Andy Everson, citizen of the K’Omoks Nation, holds an image of his grandmother who played Princess Naida in Edward S. Curtis’s film, “In the Land of the Headhunters.” CIPX Seattle Art Museum, 2016 from the series Critical Indigenous Photographic Exchange (CIPX)

Democracy

Ongoing

Justice for All

1950-2000

Digital Democracy

2000 - 2022
OriginsWe the PeopleJustice for AllDigital DemocracyDemocracyInstrumental Democracy

Photography and
Civic Engagement

Coming Soon

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Kim Beil, Ph.D., is an art historian who teaches at Stanford University. Her book, Good Pictures: A History of Popular Photography (Stanford University Press, 2020) tracks 50 stylistic trends in the medium since the 19th century. Much of her research was drawn from vintage how-to manuals. Beil has also written about photography and climate change for The Atlantic, on screenshots for The Believer, Google streetview for Cabinet, and most recently, for The New York Times, about hiking 50 miles to track down a little-known Ansel Adams photograph in the High Sierra. She also writes about contemporary art and artists for ArtforumArt in AmericaBOMB, and Photograph magazines. 

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Subscribe now and get the latest updates as we examine photography and lens-based media through interviews, lectures, and critical essays.

The programs include free and open-to-the-public programs and content in 2022-23. Subscribe and stay tuned for more content as we unfold this discussion series.


View and download CENTER’s 2023 Program Guide featuring images and segments from interviews with Leigh Raiford, Ph.D., and Kim Beil, Ph.D., as well as the 2022 Program Guide featuring images and segments from interviews with Will Wilson and Shawn Michelle Smith.

The Democratic Lens lecture series will include six sections, each with a corresponding humanities theme, historical era, and selection of contributing scholars. In alignment with NEH Special Initiative’s “A More Perfect Union” theme, scholars will present photographs that connect audiences to the diverse cultures, landscapes, histories, and individuals who collectively shaped the nation. The Democratic Lens will prioritize underrepresented histories to emphasize the diversity of the citizenry. We will present accounts that illustrate the challenges our country has endured and the stories of how Americans have worked together to overcome them.

Schedule Highlights